摘要
VR与影视的快速联姻催生出“VR纪录片”这样一个新的物种。它是一个聪明绝顶的神童,还是一个没有潜力的怪胎?文章试图从克拉考尔的“复原论”出发,通过光场理论和VR的基本特性对“VR纪录片”的内在基因进行解析,最终试图阐明电影化的真实性和虚拟化的真实感之间不可调和的对立。
The rapid marriage between VR and film and television gave birth to a new species of"VR documentary".Is he a brilliant child prodigy or a freak without potential?Starting from Krakauer's"recovery theory",this paper attempts to analyze the internal gene of"VR documentary"through light field theory and the basic characteristics of VR,and finally tries to clarify the irreconcilable opposition between the authenticity of filmmaking and the reality of virtualization.
作者
杨树
Yang Shu(School of Film and A nimation,China Academy of Fine Arts,Hangzhou 310002,China)
关键词
VR纪录片
3D电影
复原论
光场
视听语言
影像
沉浸感
VR documentary
3D film
restoration theory
light field
audio-visual language
image
immersion