摘要
以疏密或错落这类术语讨论镜清斋于山水间的建筑布局,尚属建筑与园筑通用的"体宜"部分,而无法触及到园筑因借山水而应变的"因借"核心。将乾隆帝为镜清斋所写的诗歌意象,当成乾隆帝对镜清斋园林的理想愿景,以评估实际建成的园林场景能否达成所愿,并以此评价这座园林在后世翻建中的意象得失。
Discussions of the design of Jingqingzhai in terms of varying densities or varying levels in the context of tiyi(form and fitting),shared by both garden design and architectural design fail to fathom the core of garden design-yinjie(making responsive adaptations in design)to shanshui(mountains and waters).This paper considers Qianlong’s depictions of Jingqingzhai in his poems as his ideal visions of the garden to attest whether the built garden have successfully fulfilled these visions,and to evaluate the gain and loss of the imagery in later renovations.
出处
《建筑学报》
CSSCI
北大核心
2021年第11期41-47,共7页
Architectural Journal
关键词
建筑
园筑
因借
体宜
体式
应变
architec tural design
garden design
yinjie(making responsive adaptations in design)
tiyi(form and fitting)
formal skill
responsive adaptation