元代萨都剌题画诗的民族审美特征及其对民族文化艺术流播的启示

The National Aesthetic Characteristics of Sa Dula’s Poems on Paintings in Yuan Dynasty and Its Enlightenment to the Spread of National Culture and Art

元代萨都剌的文艺素养深厚,诗画兼擅,其题画诗创作受到多民族文化的陶染和浸润,或以诗评画、缘物寄情,或以墨传意、以笔写境,诗画相资别具风采,呈现出语言清朗隽永、意境淡远浑厚的总体艺术特征。在元代多民族融合的历史大背景下,直接促使萨都剌的题画诗创作可以融南北之盛、贯东西之博,最终成为元代题画诗坛不可或缺的重要力量之一。萨都剌题画诗不仅具备传世的艺术价值,还对元后尤其是现当代民族文化艺术的流播产生了深远的影响。

Sa Dula, a Se mu Ethnic Group scribe in Yuan Dynasty, was good at both poetry and painting. His poems on paintings were influenced and infiltrated by multi-ethnic cultures. Sa Dula’s poems on paintings were written with poems to comment on paintings and express feelings with objects, or conveyed with ink and written with pen. The combination of poetry and painting was unique, his poems on paintings show the overall artistic characteristics of clear and meaningful language and profound artistic conception. Under the historical background of multi-ethnic integration in Yuan Dynasty, his poems on paintings were directly promoted to integrate the prosperity of the north and the south, and the prosperity of the east and the west, and eventually became one of the indispensable important forces in Yuan Dynasty poems on paintings. Sa Dula’s poems on paintings not only have the artistic value handed down from generation to generation, but also have a profound influence on the circulation of national culture and art in Yuan Dynasty, especially in modern times.