摘要
《国家宝藏》以中国博物馆体系为依托,以对戏剧手段的应用而成为文物戏剧的主要舞台,为考察文物戏剧的舞台实践和审美特征提供了丰富的样本。《国家宝藏》塑造了文物戏剧的形态特征,凸显了文物戏剧创作和实践上的媒体属性;而文物戏剧的审美特征表现为对历史理性的深度挖掘。《国家宝藏》中的文物戏剧以其广泛的题材和全面的体系,初步勾画出中国叙事体系的轮廓,并以极其直观的方式展现出中国文化的丰富肌理,蕴含丰富的阐释空间。
Based on China's museums,National Treasure,a drama on cultural relics,has become,with the help of dramatic means,a main stage for drama on cultural relics,providing abundant samples for the study of stage practice and aesthetic characteristics of drama of this kind.In shaping the morphological characteristics of a drama on cultural relics,National Treasure has highlighted its media attributes in the creation and practice.Its aesthetic feature lies in the deep excavation of historical rationality.Covering a wide range with a comprehensive system,National Treasure has made a preliminary outline of Chinese narrative system,and shown in an extremely intuitive way the rich texture of Chinese culture,offering big interpretation space.
作者
李光柱
LI Guang-zhu(Jiangxi Drama Resources Research Center,East China University of Technology,Nanchang 330013,Jiangxi,China)
出处
《贵阳学院学报（社会科学版）》
2022年第1期70-75,共6页
Journal of Guiyang University:Social Sciences
基金
东华理工大学江西戏剧资源研究中心开放基金项目“博物馆文创戏剧研究”(项目编号:20XJ07)。
关键词
文物戏剧
博物馆戏剧
《国家宝藏》
历史理性
drama on cultural relics
museum drama
National Treasure
historical rationality
