摘要
萧纲的写景诗与传统意义上的写景诗不同,萧纲写景诗富有灵动而又静谧的意境,且意境构造呈现逻辑与反逻辑性交叉的动态过程。细究可见,萧纲写景过程有意构造情景和谐的画面,且多与空灵境界的升华休戚相关,并表现为主动靠拢的特征。基于此,萧纲写景诗风格与其宫体诗艳丽之风完全相反,于锤炼字句、情感表达上摆脱了绮靡之风,笔力干脆,表现出铿锵之气,意境开阔且富有想象力。
Landscape poems of Xiao Gang,also known as Emperor Jianwen(549-551)of China’s Southern Liang Dynasty(502-557),are different from the traditional ones in that the former are abundant in vivid and quiet artistic conception,whose structure presents a dynamic process of logic and anti-logic.It can be seen from the detailed study that Xiao Gang intentionally constructed a harmonious picture of the scene,which was closely related to the sublimation of the ethereal realm,and showed his willingness to accepting it.For this reason,the style of Xiao Gang’s scenic poems is completely opposite to the style of his Gongti(palace-style)poetry.He gets rid of the gaudy style in the refinement of words and the expression of emotions,and presents a clear and sonorous style with broad and imaginative artistic conception.
作者
韦萍
Wei Ping(School of Chinese Language and Literature/School of Journalism andCommunication,Guangxi Normal University,Guilin,Guangxi 541006,China)
基金
广西研究生教育创新计划项目“清代岭南诗歌的书写与岭南文化研究”(YCSW2020088)。
关键词
萧纲
写景诗
逻辑
和谐
空灵
Xiao Gang
landscape poems
logic
harmony
ethereal