傅抱石作品中的长江文化与时代精神

The Yangtze River Culture and the Spirit of The Times in Fu Baoshi’s Works

现代美术家傅抱石在其一生中创作了大量山水画作品,其中,长江文化主题美术创作是重要组成部分。建国前后,傅抱石先后创作了《强渡大渡河》《江山如此多娇》等毛泽东诗词题材作品,以及《三峡图卷》长江山水画作品这些作品。以丹青形式多角度表现长江文化,熔铸弘扬长江文化精神,同时成为了长江文化的组成部分。对其思想内涵和艺术价值进行阐发,将裨益于新时代长江文化保护传承弘扬。

Fu Baoshi, a modern artist, has created a large number of landscape paintings in his life. Among them, the creation of art with the theme of Yangtze River culture is an important part. Before and after the founding of the people’s Republic of China, Fu Baoshi has successively created works on the theme of Mao Zedong’s poems such as crossing the Dadu River, so many charming rivers and mountains, and the atlas of the Three Gorges Yangtze River landscape painting works, which express the Yangtze River culture from multiple angles in the form of Danqing, cast and carry forward the spirit of Yangtze River culture, and become an integral part of Yangtze River culture. Elucidating its ideological connotation and artistic value will be beneficial to the protection, inheritance and promotion of Yangtze River culture in the new era.