论蒂克喜剧《王子策尔比诺》中的反讽诗学

On the Romantic Irony in Tieck's ComedyPrinz Zerbino

“浪漫反讽”以诗艺的反思为媒介,持续展现无限和有限、理想和现实之间的矛盾。德国著名浪漫派作家蒂克在喜剧《王子策尔比诺或曰寻求优雅趣味之旅》中采用随处可见的打破幻觉手法,使全剧充满反思的特征,从而独到地演绎了浪漫反讽。蒂克通过“猎人”这个沟通媒介,打破读者和观众对作品的心理预期,建立二者之间的直接对话,达到出其不意的效果。剧中的“戏中戏”不仅呈现多层次、界限模糊的特点,而且运用“木偶剧场”以及人物“走出角色”和“情节回置”的戏剧设置,赋予“戏中戏”的传统剧模式以创新意义。

Romantic irony uses poetic reflection as a medium to continue to show the contradiction between infinite and finite,and ideal and reality.The famous German romantic writer Tieck used the method of breaking hallucinations that can be seen everywhere in Prinz Zerbinooder die Reisenach dem gutenGeschmack,making the whole play full of reflective features,thus uniquely interpreting romantic irony.Tieck uses the communication medium of the“Hunter”in this play to break the psychological expectations of readers and audiences on the work and establish a direct dialogue between them,in order to achieve unexpected results.The“play-in-play”presents not onlythe characteristics of multiple levels and blurred boundaries,but also uses the context of“puppet theater”and the characters“going out of roles”,“turn back the actions”to give the traditional drama model the innovative meaning of“play-in-play”.