摘要
王安忆新作《一把刀,千个字》以“特殊一代”后代陈诚的成年现状作为故事主线,讲述了母亲缺位与陈诚现状间的因果联系,母亲在家庭中的缺席对陈诚的影响;借陈诚命运追寻的过程实现对其个人现状的解答。作者回望历史并超越时代约束与代际限制,实现新时期作品对个人、历史、革命、情感的融合。通过从王安忆的革命叙事、作品寻根的互文性以及情理融合三方面探究王安忆在新作中如何跨越代际鸿沟,将多方因素融入一部作品,实现“无流派”时期对寻根与革命的书写。
Wang Anyi’s new book A Knife,A Thousand Words takes the adult status of Chen Cheng,the offspring of the“special generation”as the main line of the story,tells the causal relationship between the absence of his mother and Chen Cheng’s current situation,and the impact of his mother’s absence in the family on Chen Cheng.Through the process of Chen Cheng’s fate pursuit,we can come to the answer to his personal current situation.The author looks back on history and transcends the constraints of the times and generations to realize the integration of personality,history,revolution and emotion in the works of the new era.This paper will explore how Wang Anyi crossed the inter-generational gap and integrated various factors into a work from three aspects:Wang Anyi’s revolutionary narrative,intertextuality of root seeking and the integration of emotion and reason,so as to realize the writing of root seeking and revolution in the period of“no genre”.
作者
张青淼
ZHANG Qing-miao(School of Chinese Language and Literature,Liaoning Normal University,Dalian 116081,Liaoning,China)
出处
《韶关学院学报》
2022年第1期28-31,共4页
Journal of Shaoguan University
关键词
革命
寻根
互文性
佛教
理性
revolution
root seeking
intertextuality
Buddhism
reason