“土洋之争”与“先分后合”——中西音乐关系反思

The Conflict between “local and foreign” and “Divide first and Then Unite”:Reflection on the relationship between Chinese and Western music

中国音乐界的“土洋之争”由上世纪初的中西音乐文化碰撞而引发,又随着改革开放和新时代的到来而逐渐成为过去。“中央”与“中国”歌剧院、音乐学院的“分立”,是当年作为解决“土洋之争”问题的措施。现今“中西融合”和中国歌剧音乐的多样化创作已成众望所归。摆正中西、古今、技术与思想政治的关系,是我们今后音乐创作能够人尽其才、少走弯路的重要保证。

The "conflict between local and foreign" in Chinese music industry wasinitiated by the collision of Chinese and Western music culture at the beginning of the 20 century, and has gradually become the past with the arrival of the reform and opening up and the new era. China/Central opera house and the China/Central Conservatory of Music was a measure to solve the problem of the "conflict between local and foreign". Nowadays "Chinese and Western integration" and the diversified creation of Chinese opera music have become popular. Straightening out the relationship between Chinese and western, ancient and modern, technology and ideology and politics is an important guarantee for us to make full use of our talents and avoid detours in future music creation.