安冈章太郎文学的空间隐喻--以《水晶鞋》《看屋人》中的“征用屋”为中心

Spatial Metaphor in the Literary Works of ShōtarōYasuoka:Based on the"Confiscated House"in The Glass Slipper and House Guard

以短篇小说《水晶鞋》《看屋人》为代表,安冈章太郎在初登文坛时接连以“征用屋”为舞台进行小说创作。但长期以来,《水晶鞋》的前期研究几乎完全忽略了“征用屋”的视角,《看屋人》更是被忽视。从“征用屋”的角度细致审视两部作品可以发现:在小说中,安冈章太郎由内至外,不断演绎,衍生出相对完整的“征用屋”世界。这一世界并非仅是故事发生的舞台,它更是以隐喻方式构建起日本战后独特的风景。安冈章太郎借此展现出二战后日本被占领时期对美国所抱有的既复杂又矛盾的情感。

Represented by the short stories The Glass Slipper and House Guard,ShōtarōYasuoka used the"confiscated house"as the stage to create novels one after another when he first entered the literary world.However,for a long time,the preliminary research of The Glass Slipper almost completely ignored the perspective of"confiscated house",and House Guard has been ignored even more.By studying the two works from the perspective of the"confiscated house",it can be found that in the novels,ShōtarōYasuoka creates a relatively complete world of the"confiscated house"by interpreting it from the inside out.This world is not just a stage for the story to take place,it is also a metaphor for constructing the unique postwar landscape of Japan.In this way,ShōtarōYasuoka reveals the complex and contradictory feelings Japan had towards the United States during the post-World War II occupation period.