摘要
有宋一代,古代工艺美学达到了至臻的境地,出土漆器亦不甚枚举。与宋代美学格调相称,宋代髹漆集实用性与观赏性为一体,朴质无文,雅趣不凡,形成了一色素髹为主,雕漆、镶嵌、饰金银等品类各呈异彩的时代风格。本文将基于宋代髹漆的工艺美学思想,结合政治、经济背景,对其材料、生产流通方式、产地、用途、技法、器型进行一一解读。
In the Song Dynasty,the ancient arts and crafts aesthetics reached the highest level,and the unearthed lacquerware was also rich.In line with the aesthetic style of the Song Dynasty,the lacquer of the Song Dynasty is a combination of practicality and appreciation.It is simple and has a unique style of the times.The lacquer is mainly painted with pigment,and the lacquer carving,inlay,gold and silver decoration are all of extraordinary colors.In this paper,based on the Song Dynasty lacquer craft aesthetic thought,combined with the political and economic background,the material,production and circulation mode,origin,use,technique,type of ware are interpreted one by one.
出处
《中国生漆》
2021年第4期25-29,38,共6页
Journal of Chinese Lacquer
关键词
宋代
漆器
工艺美学
Song Dynasty
lacquerware
craft Aesthetics