藏纸绘画艺术的形式语言与审美表现——《藏纸传奇》系列作品解读

Formal Langue and Aesthetic Presentation of the Painting Art on the Tibetan Paper Interpretations of the Artworks Series:Legends Painted on the Tibetan Paper

藏纸绘画艺术作为藏族地区常见的艺术形式,是了解藏族艺术特征的重要载体。藏纸绘画艺术的风格特征来源于对藏族造型艺术的感知和情感创作,是对有机生命的真实表现,但这并不同于文学意义上的现实主义,而是自然人文主义与装饰艺术的有机统一。阿坝师范学院藏纸应用研究中心立足四川西北部地区,通过对该区狼毒藏纸的调研,以藏纸绘画艺术为对象,着重研究藏纸绘画艺术作品中所呈现的民族艺术特征,以及艺术创作主体的情感表达,并进一步分析藏纸绘画艺术作品中蕴含的象征隐喻之艺术手法,继而探讨藏纸绘画艺术在当代艺术创作中的传承与创新方式,对推动优秀民族文化传承及创新发展具有重要的意义。

The painting art on the Tibetan paper is a common presentation of art in the Tibetan region, serving as an important vehicle to the understanding of Tibetan artistic features. Traits of its style stemming from a cognition of Tibetan plastic art and sentimental creation are a genuine presentation of organic life. However, this genuineness is but an organic combination of natural humanism and decoration art, unlike realism in the literary sense. The Tibetan Paper Application Institute of Aba Teachers University secures its foothold in northwest Sichuan, doing fieldwork in the paper-making craft of the Tibetan paper made from the fibre of stellera chamaejasme, The Institute adopting the Tibetan paper as a media of painting focuses on the ethnic art features embodied by the Tibetan-paper based artworks, on the emotional outlets of the painters and on the symbolic metaphors inbuilt in the Tibetan-paper based artworks. The approach exploitation to such artworks′ inheritance and innovation in modern art creation has an important role to play in that of excellent ethnic culture.