建筑的游牧和自主性初探——从勒杜的乡村住宅到海杜克的假面舞会

Preliminary Research on the Vagabondage and Autonomy of Architecture:From Ledoux’s Agronomic Architecture to Hejduk’s Masque

安东尼·维德勒在关于海杜克的《流浪者建筑》一文中把勒杜的球形住宅作为建筑“游牧”的最早的例子。文章以此为引,探寻勒杜乡村建筑系列的历史背景与建筑师通过其传达出来的社会及建筑观念,并借助埃米尔·考夫曼《从勒杜到勒·柯布西耶》中对于建筑自主性的观点,结合20世纪建筑自主性的发展,试图找出海杜克后期假面舞会所体现出来的建筑自主性,然后梳理出海杜克假面舞会作为一种“游牧建筑”和勒杜乡村住宅的联系,提出一种解读海杜克假面舞会的角度及观点。

Anthony Vidler used Ledoux’s spherical house as the earliest example of architectural"vagabondage"in his article Vagabond Architecture on Hejduk.Under the guidance of it,this paper attempts to explore the historical background of Ledoux’s agronomic architecture series and the social and architectural concepts communicated by the architect through it,and use Emile Kaufmann’s viewpoint of architectural autonomy in Von Ledoux bis Le Corbusier,combined with the development of architectural autonomy in the 20th century,attempts to find out the architectural autonomy embodied in the Hejduk’s masque in his later period,and then sort out the relationship between Hejduk’s masque as a kind of"vagabond architecture"and Ledoux’s agronomic architecture,then suggests a perspective and point of view to interpret the Hejduk’s masque.