摘要
虎丘是苏州最富盛名的名胜地之一,通过不断的维护修缮,数百年内保持着结构的稳定性和自然演进的更新方式。虎丘山顶一直以雄伟的云岩禅寺著称,也是远眺苏州全景之所。清初,为迎接康熙皇帝第六次南巡,在寺院的基址上规划建造了康熙行宫,从而改变了数百年的山顶格局。此后在整个18世纪,山顶空间在"侵入—反应—重构"的动态模式中变得日益政治化,物质性的纪念物取代了过去明代指示性的风景。在这一进程中,空间的认知在文献中逐渐形成了。通过梳理文献及绘画,文章厘清了这一事件前后的格局演变,并试图探讨"空间性"认识是如何在这一进程中脱颖而出的。
The Tiger Hill is one of the most famous scenic spots in Suzhou. The top of the hill has always been famous for the majestic ancient Yunyan Temple, and it is also a place to overlook the panoramic view of Suzhou. Thanks to hundreds of years’ continuous reservation before the 17 th century, the spatial structure of the place has remained stable, while the architecture has undergone a natural evolution. In the early Qing Dynasty, in order to welcome the Kangxi Emperor’s sixth southern inspection tour, a temporary dwelling palace was planned and built on the site of the Yunyan Temple, which changed the century-old layoutcompletely. In the following 18 th century, the place saw an "impact-response-adjustment" dynamics in the process of spatial evolution and became increasingly political. The once indicative understanding of scenery was replaced by an objectified one of the physical monuments. As a result, an implication of "space" emerged in its presentation and literature.
出处
《时代建筑》
2021年第6期50-57,共8页
Time + Architecture
基金
国家社科基金重大项目“中国国家图书馆藏山川名胜舆图整理与研究”(19ZDA192)
上海海事大学物流工程与管理高峰学科开放基金“中国传统水上游观体验在当代游艇产业模式创新中的意义”(20Z2032020094)
上海交通大学理科项目“明清江南地区名胜绘画的场所指称性研究”(21X010500951)。
关键词
虎丘山
康熙行宫
空间的产生
场所营造
视觉再现
Tiger Hill
Temporary Dwelling Palace for the Kangxi Emperor
Idea of"Space"
Placemaking
Visual Representation