短视屏时代新主流“集锦式”电影的叙事、文化及工业美学

Narrative,Culture and Industrial Aesthetics of the New Mainstream“Collage”Films in the Short-Video Era

互联网“短视屏”时代,蓬勃发展的中国新主流电影产生了明显的“叙事新变”,出现了一种“集锦式”故事结构。这一突出现象除了主流引领、资本推动与名导明星加持外,集锦式叙事结构还契合了互联网短视频时代的区域年轻化的受众的审美需求。以《我与我的祖国》《我与我的家乡》《我与我的父辈》等为代表,此类影片通过快节奏、短时长、戏剧性强的平民化叙事和个人化视角,融合主流性主题,建构集体记忆。但此类电影应该在新主流电影发展的脉络中,进行工业美学反思,进而探讨其“可持续发展”的可能性和路径。

the internet“short video”era,the booming of China's new mainstream films created obvious“new narrative”and produced a“collage type”story structure.In addition to the mainstream leading,capital driven and auteur-star blessing,this prominent phenomenon also fit into the aesthetic demand of younger internet short video audience.Represented by Me and My Motherland,My People My Homeland and My Country My Parents,these films integrate the mainstream themes and construct the collective memory with fast,short and dramatic common narrative and personalized perspective.However,this kind of film should be reflected with industrial aesthetics in the context of the development of new mainstream film,in order to explore its path of possible“sustainable development”.