论班宇小说的空间叙事

On the spatial narration of Ban Yu’s novel

作为一名出生、成长于铁西区“工人村”的青年作家,班宇近年来已然被评论界贴上诸如“东北题材”“新东北作家群”主力的标签。从写作发生学的角度看,铁西区工人村固然是班宇叙事的“文学原乡”,是他文学叙述的“出发地”,也是班宇中、短篇小说创作的时空坐标。因此,我们试图将班宇的小说置于空间叙事的视角下进行考量。本文着力于从空间叙事的视域,分析班宇的小说,通过审视其文本中涉及的复调式的物理空间、幽灵空间的僭越、空间的规训和身体的反抗,探究其在小说整体创作上呈现出的美学“新状态”。

As a youthful writer born in the worker’s village in the Tiexi district,Ban Yu has been labelled as“Theme of the Northeast”or the main force of“the new northeast writers”by the critics.From the angle of writing embryology,the worker’s village in the Tiexi district is certainly the“literary homeland”of Ban Yu’s narration,which is also a space-time coordinate of his novelette and short story creation.So we try to put Ban Yu’s novel in the perspective of spatial narration.This article lays strong emphasis on analysing Ban Yu’s novel from the perspective of spatial narration by surveying the multi-polyphonic physical space,the arrogation of ghost space and the disciplinary power of space with the resistance of body,exploring the‘new status’of aesthetics exhibited in his whole novel creation.