摘要
在过去的两年里,俄罗斯联邦馆探索了文化机构在全球危机时期的公共作用与社会意义,并希望在更坚实和包容的基础上重建自己。为了重塑其建筑结构和体制结构,俄罗斯馆找到了一处理想的试验场,在不同维度之上的——实体的、数字的以及介于两者之间的一切维度——无定形、模糊空间中尝试更富同理心与意义的联盟及亲属形式。正是在这种局面下,“敞开”项目为第17届建筑双年展策展人哈希姆·萨基斯提出的问题找到了初步答案:我们将如何共同生活?
For the past two years,the Russian Federation Pavilion has explored the public role and social relevance of cultural institutions in times of global crisis,with a will to rebuild itself on more solid and inclusive grounds.Striving towards the reconstruction of both its architectural and institutional structures,the Russian Pavilion has located an ideal testing ground to experiment with more empathetic and meaningful forms of alliances and kinships in the amorphous,nebulous space suspended across different dimensions±the physical,the digital and everything in between.It is in this tension that Open has found a tentative answer to the question posed by the curator of the 17th Architecture Biennale,Hashim Sarkis:How will we live together?
出处
《世界建筑》
2021年第12期68-73,128,共7页
World Architecture
