从传统民族服饰中探国产动画的“民族化”表现

Exploration of the“nationalization”expression of domestic animation from traditional national costumes

“中国学派”表示动画应该持续性地推进“民族化”风格,发展一条动画“民族化”的道路。但是,因为受美国以及日本动画技术风格的持续影响,我国动画陷入了盲目抄袭的局面,早已丢失了动画“民族化”,在艺术上找不到自己的定位,导致国产动画缺乏“民族化”的问题日益凸显出来。随着时间的推移,国产动画“民族化”不断发展,其艺术风格也逐渐形成了独有的中国特色风格。现如今,国产动画也逐渐走向“民族化”,同时应用了大量的中国传统民族服饰,向观众展示和宣传具有“民族化”的服饰,让绚丽多彩的中国传统民族服饰文化以动画作品的方式得以传播,体现出深刻的“民族化”,进而探索民族形式之路。

“Chinese school”said that animation should continuously promote the“nationalization”s tyle and develop a path with the“nationalization”of animation.However,due to the continuous influence of the animation technology style of the United States and Japan,Chinese animation has fallen into the situation of blind plagiarism,which has long lost the“nationalization”of animation,and can not find its own positioning in art,leading to the lack of“nationalization”of domestic animation becoming increasingly prominent.With the passage of time,the“nationalization”of domestic animation continues to develop,and its artistic style has gradually formed a unique Chinese characteristic style.Today,domestic animation also slowly toward“nationalization”,at the same time,a large number of traditional Chinese ethnic clothing are used,to display and promote the audience with“nationalization”clothing,let colorful traditional Chinese national clothing culture in the way of animation works,reflects the profound“nationalization”,and explore the way of national form.