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论苗族芦笙女性表演角色的演变 被引量:1

On the Evolution of Female Performing Roles in Lusheng of Miao Nationality
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摘要 芦笙作为苗族人民生活生产的重要文化符号,是苗族人民生活交往和文化交流的重要工具。由于时代的发展,苗族芦笙表演由祭祀、跳月、庆典等传统文化时空转换到文化艺术节、舞蹈大赛、联欢节等现代文化时空,苗族女性和男性一样成为芦笙音舞表演的主角,实现由配角到主角的角色转变。苗族女性表演角色的演变,有利于传承苗族优秀传统文化,推动芦笙表演创新性发展。 Lusheng,as an important cultural symbol of Miao people′s life,is an important tool for Miao people′s life and cultural exchange.Due to the development of the times,Lusheng performance has changed from traditional cultural time and space such as sacrifice,dance and celebration to modern cultural time and space such as culture and art festival,and dance competition.Women of Miao nationality as well as men,have also become the protagonist of Lusheng performance,realizing the role transformation from supporting role to protagonist.The evolution of Miao women′s performing roles is conducive to inheriting Miao′s excellent traditional culture and promoting the innovative development of Lusheng performance.
作者 杨通俊 杨红艳 YANG Tong-jun;YANG Hong-yan(School of Music and Dance,Qiannan Normal University for Nationalities,Duyun 558000,Guizhou,China;Danzhai Quanshan Primary School,Danzhai 557500,Guizhou,China)
出处 《黔南民族师范学院学报》 2022年第1期109-115,共7页 Journal of Qiannan Normal University for Nationalities
关键词 苗族女性 芦笙仪式 角色演变 women of Miao nationality Lusheng ceremony role evolution
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  • 1曹本冶.思想~行为:仪式中音声的研究[J].音乐艺术(上海音乐学院学报),2006(3):83-102. 被引量:101
  • 2邓康宁.2006:12月29日.《葬礼仪式的延续与变迁—对湖南长沙MT村葬礼仪式的个案研究》[EB/OL].武汉,三农中国,http://www.sociology.casss.cn.

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