从小说到电影:《刺杀小说家》反类型化的弥散性叙事研究

From Novel to Film:a Study of the Anti Typological and Diffuse Narrative in The Assassination of the Novelist

《刺杀小说家》不同于既往类型化的线性叙事,其从原著小说到改编电影,皆是在现世界与异世界互文的平行时空中展开反类型化的弥散性叙事。原著小说以文学语言构建的异世界及其情感系统,使其在文学性的堡垒中获得“电影小说”的画面感,然而电影改编所依循的镜头语言促使导演路阳在电影性的多重叙事空间中落实异世界及其情感系统的真实性与独立性,展开了反类型化的弥散性叙事,并且建构起特色鲜明的“隐性进程”及其叙事美学。

The assassination of the novelist is different from the linear narrative in the past.From the original novel to the adapted film,it unfolds the anti typed and diffuse narrative in the parallel time and space between the present world and the different world.In other words,the alien world and its emotional system constructed by literary language in the original novel make it obtain the image sense of"film novel"in the literary fortress.However,as Lu Yang said,the lens language followed by film adaptation makes him realize the authenticity and independence of the alien world and its emotional system in the multi narrative space of film,In this process,the director Lu Yang how to carry out the anti type of diffuse narrative,and build a distinctive"hidden process"and its narrative aesthetics,are worth exploring.