“赤色舞蹈”的发生、兴起与衍化

The Occurrence, Rise and Evolution of “Red Dance”

文章以"赤色舞蹈"为研究对象,围绕其发生、兴起与衍化进行历史梳理与艺术形态分析。首先,梳理"赤色"一词的发生语境,论述其伴随着近现代国际共产主义运动与思潮的洪流,作为国际共产主义运动的代名词逐步在中国共产党的历史发展中建构明确的政治身份和政权,为"赤色舞蹈"的发生提供了政治语境,也奠定了其身份所属与精神底色;其次,重点论述中华苏维埃政权的建立为"赤色舞蹈"提供了制度保障,"赤色戏剧"和"赤色体育"为其提供了发生的艺术土壤和身体对话;再次,"赤俄"的文艺制度和形态如活报剧、蓝衫团(Blue Blouse)、革命芭蕾等为"赤色舞蹈"赋形,最终产生以李伯钊、石联星、刘月华为代表的"三大赤色跳舞明星"及其"赤色舞蹈",并在"赤色革命根据地"的发展与衍化中强化其功能与艺术价值,建构起中国共产党领导下的红色文艺的发展基础。

This paper takes “red dance” as the research object, and analyzes its history and artistic forms by focusing on its occurrence, rise and evolution. Firstly, it studies the occurrence context of the word “red”, and expounds that accompanied by torrents of modern international communist movement and ideological trend, and as the pronoun of international communist movement, it gradually constructed a clear political identity and regime in the development of the Communist Party of China, which not only provided political context for the occurrence of “red dance”, but also established its identity and spiritual background. Secondly, it emphasizes that the establishment of the Soviet regime in China provided institutional guarantee for “red dance”, and “red drama” and “red sports” provided artistic soil and physical dialogue for its occurrence. Thirdly, the literary and artistic systems and forms of “red Russia” such as skit, Blue Blouse and revolutionary ballet, shaped the “red dance”, eventually brought forth the “three red dancing stars” represented by Li Bozhao, Shi Lianxing and Liu Yuehua, and their “red dance”. It strengthened its function and artistic value in the development and evolution of the “red revolutionary base areas”, and laid the foundation for the red literature and art under the leadership of the Communist Party of China.