舞台化民族民间舞蹈审美范式的建构研究

Research on the Construction of Aesthetic Paradigm of Staged Chinese Ethnic and Folk Dance

文章从美学史视角对社会主义革命时期舞台化中国民族民间舞蹈的指导思想、审美特点、观念变化进行研究与总结。这一时期的中国民族民间舞蹈形成了以"民族形式"为核心的审美范式。一方面,强调中国民族民间舞蹈的舞台创作要担负起塑造统一"民族形式"、建立"社会主义舞蹈艺术"的历史重任;另一方面,中国民族民间舞蹈的创作主张从人民劳动生活中挖掘和提炼主要因素,注重对艺术作品进行规律性、结构性、原则性的抽取与概括,旨在创造出某种普遍的审美形象,在审美范式的表现上突出"形式化"符号的审美特征。

This paper studies and summarizes the guiding ideology, aesthetic characteristics, and conceptual changes of staged Chinese ethnic and folk dance during the socialist revolution from the perspective of aesthetic history. The Chinese ethnic and folk dance of this period formed an aesthetic paradigm with “national form” as the core. On the one hand, it emphasizes that the stage creation of Chinese ethnic and folk dance should take on the historical responsibility of shaping a unified “national form” and establishing a “socialist dance art”;On the other hand, the creation of Chinese ethnic and folk dance advocates excavating and refining the main factors from the people’s working life, paying attention to the extraction and generalization of artistic works in a regular, structural and principled way, in order to create a universal aesthetic image. Therefore, it highlights the aesthetic characteristics of “formalized” symbols in the performance of aesthetic paradigms.