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“非遗舞蹈”的历史性观念、现代性本质与审美建构 被引量:16

The Historical Concept, Modern Nature and Aesthetic Construction of “Intangible Cultural Heritage Dance”
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摘要 中国各区域、各民族种类繁多的传统舞蹈作为历史经验与文化记忆的传承载体,通过身体表现的动态形式,在"非遗化"的过程中以现代的方式传承历史、叙述当下、展示人性。作为非物质文化遗产代表性项目名录中的传统舞蹈,"非遗舞蹈"经由现代审美意识的参与,逐渐完成了从生活经验记忆向美学价值的转换与形塑,实现了对社会现代化发展的描绘与反思。文章试从"非遗舞蹈"的历史性、现代性、审美性三方面特征,阐析其艺术实践与理论于传统和现代发展进程中显现的观念与本质。 As the carrier of historical experience and cultural memory, various traditional dances of different regions and ethnic groups in China use modern language to pass on the historical legacy, express the present, and demonstrate humanity in the process of becoming intangible cultural heritage through the dynamic form of physical expression. As the traditional dance in the list of intangible cultural heritage, “intangible cultural heritage dance” has gradually transformed from the life experience memory into the aesthetic value with the help of modern aesthetic awareness, leading to the depiction of social modernization and the reflection upon it. This paper attempts to analyze the concept and essence of the artistic practice and theory of the “intangible cultural heritage dance” reflected in the process of traditional and modern development from its historical, modern and aesthetic characteristics.
作者 仝妍 曹露露 TONG Yan;CAO Lu-lu(School of Music,South China Normal University,Guangzhou 510006,China)
出处 《北京舞蹈学院学报》 CSSCI 北大核心 2021年第6期80-85,共6页 Journal of Beijing Dance Academy
基金 北京市哲学社会科学民族舞蹈文化研究基地项目“中国民族舞蹈学科理论体系”(项目编号PXM2021-014219-000013)阶段性成果 华南师范大学哲学社会科学重大培育项目“岭南传统艺术与新时期美育建设研究”(项目编号ZDPY1903)阶段性成果。
关键词 “非遗舞蹈” 历史性观念 现代性本质 审美建构 “intangible cultural heritage dance” historical concept modern nature aesthetic construction
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