摘要
文章围绕舞剧选材的思维、舞剧创新的手段、舞剧对名著的改编展开探讨,阐明舞剧创作中的选材、结构、手法、语言的多方面理念。文章认为,在舞剧创作中对文学名著进行改编,其实质就是在传统舞剧题材中融入创作者的立意;中国舞剧创作需要运用现代派表现手法。同时文章认为,选材是舞剧创作之源头,体现了创作者的能力和预见;表现是舞剧创作之构建,集结了创作者的构思与手段;创新是舞剧创作之生气,倾注了创作者的心力和才思;舞剧创作并不只是故事陈述,而是揭示精神、表现思想,展现艺术本体才是舞剧创作之核心与方向。
This paper discusses the thinking of material selection, innovative means of dance drama and adaptation of famous works of dance drama, and clarifies the ideas of material selection, structure, techniques and language in the creation of dance drama. The paper holds that the essence of the adaptation of literary classics in the creation of dance drama is to integrate the creator’s ideas into the theme of traditional dance drama. The creation of Chinese dance drama needs to use modern expressive techniques. At the same time, the paper argues that the selection of material is the source of the creation of dance drama, which reflects the creator’s ability and foresight. Performance is the construction of dance drama creation, gathering the creator’s conception and means;Innovation is the vitality of dance drama creation, poured into the creator’s heart and talent;The creation of dance drama is not only a story statement, but to reveal the spirit, express the thought and show the artistic noumenon.
作者
吴蓓
WU Bei(Creative School of Beijing Dance Academy,Beijing 100081,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2021年第6期104-108,共5页
Journal of Beijing Dance Academy
关键词
舞剧创作
选材思维
创新手段
结构语言
名著改编
《北京人》
dance drama creation
material selection thinking
innovative means
structural language
adaptation of classics
Peking Man