摘要
21世纪以来中国画创作、研究及人才培养日新月异,取得了巨大成就与丰硕成果。其中,以有学院背景的青年艺术家形成的当代中国画创作的学院新方阵尤为引人注目,以70后、80后为方阵主要力量的他们既有着阶梯式的艺术传承,也有着代际差异的艺术诉求。他们的创作探索推进了中国画的当代发展,也出现了一些问题。本文在对学院新方阵艺术特征、发展现状及问题梳理与分析的基础上,提出青年中国画艺术家应当随时代,守正创新,从创作的格局、内容、格调以及夯实基本功等方面努力破除瓶颈,将中国画发展推向新的未来。
Since the 21 st century, China has made substantial achievements in creation, research and talent training of Chinese paintings.Young artists with background of academy have formed the new academy group of Chinese paintings, which has raised considerable public concerns. The main forces of the new group are post-70 s and post-80 s, who not only progressively inherit artistic traditions, but also cherish their own unique artistic pursuits in contrast with previous generations. Their artistic exploration has promoted the contemporary development of Chinese paintings, while some issues also rise wherefrom. By clarifying and analyzing the artistic features, status quo and problems of the new academy group of Chinese paintings, this paper proposes that young artists of Chinese paintings should keep up with the times, uphold integrity and seek innovation, and break the bottleneck in terms of pattern, content, style and basic skills, so as to shape a fresh future for Chinese paintings.
作者
陈晓莹
杨维民
Chen Xiaoying;Yang Weimin
出处
《美术》
CSSCI
北大核心
2022年第3期6-10,共5页
Art Magazine
关键词
中国画
学院新方阵
青年中国画家
Chinese painting
new academy group
young artists of Chinese paintings