摘要
中国当代水墨艺术形态的演变是在传统水墨与当代艺术的碰撞中形成的。本文旨在对大数据时代数码图像与材料媒材对于当代水墨近20年所呈现出的形态及观念中显现的意义、推动作用予以分析和解读,探讨图像的再现与表现问题,阐述以重建图像的方式超越图像本身是图像转向的有效方式,借鉴当代设计构成理念实现“经营位置”的传统样式突破,拓展水墨与更宽泛的综合媒材的交错互融是推动中国传统水墨艺术走向当代,实现传统文化复兴的必经之路。
The collision between Chinese traditional ink paintings and contemporary art pushes forward the evolution of Chinese contemporary ink paintings’artistic form.This paper aims to shed light on the meanings behind the forms and notions of contemporary ink paintings in the past 20 years under the influences of digital images and mediums in the context of big data.The study also explores image reappearance and representation,and illustrates that an effective way of image reorientation is to transcend original images via reconstruction.By drawing lessons from the contemporary design concept,the study aims to break through the traditional style of"image layout".On that basis,it is proposed that an essential way for Chinese traditional ink paintings to embrace the contemporary era and to revive traditional culture resides in the integration of ink paintings with a broader range of comprehensive mediums.
出处
《美术》
CSSCI
北大核心
2022年第3期11-15,10,共6页
Art Magazine
关键词
水墨
媒材
材料
数码图像
water and ink
medium
material
digital image