摘要
80后、90后水墨画家相对于其前辈,在创作上更注重自我表达与日常生活的表现,他们的创作无论是思想层面还是形式语言都比较多元,大都是对现有技法、材料、图式的运用,且更为强调图像的制作。这与80后、90后所处的时代环境、受到的教育,包括拥有的知识结构、价值观念和审美理想有关。针对这些现象,作为中国水墨艺术的未来,80后、90后水墨画家应进一步加强理论知识积淀,保持清醒独立的思考,用画笔表现新时代风貌,从而肩负起在世界文化格局中建构民族文化身份的责任。
In contrast to their predecessors,post-80 s and post-90 s ink painters attach more importance to self-expression and the expression of daily life.Featuring prominent diversity in both ideology and formal language,their paintings profusely apply existing techniques,materials and schemas,and give prominence to image creation.This is attributed to the era,education,knowledge structure,values and aesthetic ideals concepts of these painters.In view of the aforementioned phenomena,post-80 s and post-90 s ink painters,as the future of Chinese ink painting art,should exert more efforts to strengthen theoretical basis,keep sober and independent thinking,and give expression to the new era.With such efforts,they can live up to their mission of constructing national cultural identity in the global cultural pattern.
作者
张湫逸
张卫
Zhang Qiuyi;Zhang Wei
出处
《美术》
CSSCI
北大核心
2022年第3期16-19,22,共5页
Art Magazine
关键词
80后
90后
水墨群体
水墨创作
Post-80s
Post-90s
art group of ink painting
ink painting creation