从传入到延发——抗战时期高剑父澳门艺术活动研究

From Introduction to Extension:A Probe into Gao Jianfu’s Artistic Activities in Macao During the Anti-Japanese War

在高剑父及岭南画派传入澳门以前,澳门中国画坛实质上并未形成具有明确风格特色与理念追求的绘画流派,画家也较为散落。从1903年至1951年之间的4次客寓澳门,高剑父为澳门中国画坛注入了新的生机。本文重点考察抗战时期的高剑父在澳门的一系列艺术活动,包括他在澳门的绘画教学、师徒传承等方面入手进行综合考察,探讨抗战时期高剑父寓居澳门对当地中国画坛的深刻影响及所作的历史贡献。

No schools of painting with distinctive style and pursuit were formed in the circle of Chinese painting in Macao, during which painters were also scattered, until Gao Jianfu and the Lingnan School of Painting set foot in Macao. Gao Jianfu, with his four visits from 1903 to 1951,refreshed and invigorated the circle of Chinese painting in Macao. This paper revolves around his artistic activities in Macao during the Anti-Japanese War, including his teaching, and master-to-apprentice inheritance, and probes into the profound influences of Gao Jianfu’s residence in Macao on the circle of Chinese painting in Macao, as well as sheds light on his historical contribution.