艺术新界面:煎茶会图录中的明清绘画元素——以稀见《青湾茗醼书画展观录》为底本

New Artistic Interface:Painting Elements of Ming and Qing Dynasties in Illustrated Books of the Tea Ceremony:With the Rare Catalogue of Qingwan Tea Party Painting and Calligraphy Exhibition as the Master Copy

煎茶会图录中明清书画展观录是还原茶会最佳向导之一,更是探赜中日文化流通的途径和大数据。以稀见《青湾茗醼书画展观录》为信息提取对象,从流动的地理(藏家、创作者)到材质、美学等维度的定性定量研究出发,溯明清绘画输日的三大途径,窥公共视域下展览艺术媒介形态的变革,期补遗中日茶文化交流史中明清绘画知识谱系。

Catalogue of painting and calligraphy exhibitions of Ming and Qing Dynasties in illustrated books of the tea ceremony is not only one of the best guides to restore the tea ceremony,but also to provide channels and big data to explore the cultural communication between China and Japan. Extracting information from the rare Catalogue of Qingwan Tea Party Painting and Calligraphy Exhibition, this paper conducts qualitative and quantitative researches in various dimensions from flowing geography(collectors and creators) to texture and aesthetics, traces back the three major approaches for China to export paintings to Japan during Ming and Qing Dynasties, and gains insight into the reform of exhibition art media from the public perspective, in the hope of supplementing the knowledge genealogy of painting in the Sino-Japan history of tea cultural communication during Ming and Qing Dynasties.