电影“想象力消费”理论的若干基本问题

Some Basic Problems of Film“Imagination Consumption”Theory

自2015年电影“想象力消费”的理念被提出后,学界的研讨络绎不绝。作为一种紧扣中国电影当下发展实际,包蕴前瞻性、学理性和战略性的重要理论观点,对它进行全面解读和梳理很有必要和意义。鉴于这是一个跨学科的电影新视域和新参数,首先,有必要对与它相关的若干重要概念加以校勘和辨析;其次,需要进一步厘清它的内涵和外延;再次,应通过研究它自身的生存法则和内生变量,使其获得更宽阔的视野、更厚实的地基,增强历时性的电影经验汇聚,获取共时性的叠加影像体验,注入多方面的优势动能,实现理论自身生命的张力。

There have been continuous academic discussions on the concept of“imaginative consumption”since its debut in 2015.The concept,an important and up-to-date point of view that is closely related to the current development of Chinese films,is forward-looking,theoretical,and strategic.It is also necessary and meaningful to comprehensively interpret and sort it out.Considering that this is a new interdisciplinary horizon and new parameters of film,firstly,it is necessary to collate and analyze some relevant and essential concepts;secondly,it is necessary to further clarify its connotation and extension;thirdly,by studying its own survival laws and endogenous variables,the concept should gain a broader vision and a deeper foundation,strengthen the convergence of diachronic film experiences,obtain a synchronic superimposed image experience,and inject various multifaceted advantages so as to move forward and thrive the theory.