《沦落人》悲剧美学分析——基于马克思主义人学思想视角

On Tragic Aesthetics of Still Human——Under the Perspective of Marxist Hominology

电影《沦落人》包含着非常明确的悲剧元素。“现实的人”在生活中的境遇,包含人作为人所要面对的“存在、本质和发展”等问题,是马克思主义人学思想的核心问题。马克思主义人学思想的相关理论与方法,是探讨《沦落人》悲剧美学的重要路径。《沦落人》中关于“人的存在、本质和发展”等方面的矛盾冲突,所体现的是一种“中国式悲剧观念”。影片在冲突与矛盾的叙述过程中,通过优美的形式表现出了生活的崇高。

The film Still Human contains very clear tragic elements. “Real people” are confronted in their life with such situations as “existence, essence and development”, which are the core issues of Marxist hominololy. Therefore, the relevant theories and methods of Marxist hominology are an important way to explore tragic aesthetics of this film. The conflicts about the existence, essence and development of human in the film embodies uniquely Chinese tragic concepts. In the narration of the conflicts, the film attempts to show noble pursuits of life in exquisite forms.