摘要
自五四新诗诞生以来,学界对诗的建行问题关注颇多,有不少学者将其与诗的分行视为可以互换的一组概念。然而,当我们以历史的眼光来审视这一问题,可以发现:诗的建行古已有之,实际上相当于古典诗歌中的"建句",而分行却是中国新诗现代变革过程中产生的形式革新,二者绝不可混为一谈、一概而论。在系统梳理诗歌建行与分行之间关系的基础上,试对二者的内涵与外延做出新的界定,并通过考察中国新诗建行的技巧与功能,进一步探讨诗的建行与诗的内容和艺术表现之间的内在关联。
Since the May Fourth New Poetry was born, academic circles have paid a lot of attention to the issue of the construction of poetry, and many scholars regard it and the branch of poetry as a set of interchangeable concepts. However, when we look at this issue from a historical perspective, we can find that the construction of poetry has existed in ancient times, and it is actually equivalent to the "construction of sentences" in classical poetry, while the branches are produced during the modern transformation of Chinese new poetry. Formal innovation, the two must not be confused or generalized. On the basis of systematically combing the relationship between the poetry construction bank and its branches, this article makes a new definition of the connotation and extension of the two, and further explores the poetry construction and the content of the poetry by examining the skills and functions of the Chinese new poetry construction bank And the relationship between artistic expression.
作者
蒋士美
Jiang Shimei(School of Literature and Journalism,South-Central University for Nationalities,Wuhan,Hubei,430074)
出处
《语文学刊》
2022年第1期63-69,共7页
Journal of Language and Literature Studies
基金
国家社科基金“清末民初知识分子的代际交往与新文学的发生”(12BZW077)阶段性研究成果。
关键词
中国新诗
建行
分行
技巧
功能
Chinese new poetry
poetic construction
branch
skills
function