21世纪以来日本电影学研究的传承与转向

On the Ontological Turn and Inheritance of Japanese Cinema Studies since 2000

21世纪以来,日本国内的电影学研究中出现了一些新的学术热点和问题。其中,具有"创造性"特质的表象文化研究为日本电影研究带来了新的"本体论"转向。在电影史学研究中,以绵密的史料考证见长的日本学者们传承前人研究传统,表现出文献翔实、注解详尽的特点;在电影理论研究与评论中,立足影像本体,力求作品从不同角度、不同层面展露出内在肌理。21世纪的日本电影学研究,在传承与拓展中呈现出"微观着手、精细具体"的整体特点。

Since 2000, some new academic hotspots have emerged in Japanese cinema studies. Among them, the study of representational culture, which has a “creative” quality, has brought a new direction to the study of Japanese cinema. Japanese film historiography, which is characterized by dense historical evidence, is characterized by rich documentation and detailed annotations, while carrying on the tradition of previous studies. In the study of film theory, it is based on the image itself, so that the inner texture of the work can be revealed from different angles and levels. In the process of inheritance and innovation, the study of Japanese cinema presents the characteristics of elaboration by means of microscopic approaches.