边界空间的生产与可读性——以鼓浪屿美术馆东区庭院边界设计为例

The Production and Readability of Boundary Space: A Case of the Boundary Design of the East Courtyard of Gulangyu Art Museum

建筑的存在不是孤立的,每个建筑都有其独特的在地性与精神性,而边界空间对于建筑精神与文化的表达又尤其重要;边界是一种介质,既与建筑的内部空间发生关系,也与建筑所在地域的外部环境发生联系,这种联系增强了其所在的历史性资源和本身的精神内涵;建筑、边界、环境是有机的整体,是一个完整的生态系统,既是建筑内部动线的场景折叠,又是场地外部环境的整合。本文以鼓浪屿美术馆东区庭院设计为例,探讨文化建筑边界空间的生产、边界空间的阅读性。

The existence of a building is not isolated. Each building has its unique locality and spirituality. The boundary space is particularly important for the expression of architectural spirits and culture. The boundary is a medium, which is related to the internal space of the building and the external environment of the location of the building. This connection enhances the historical resources and its spiritual connotation. The building, boundary, and environment are an organic body and a complete ecosystem. It is not only the scene folding of the building’s internal circulation, but also the integration of the external environment of the site. This paper takes the courtyard design of the rear area of Gulangyu Art Museum as an example, and discusses the production of the boundary space of cultural buildings and the readability of the boundary space.