立足于藏文化的多维艺术探索——论梅卓《神授·魔岭记》的叙事策略及意义

Multi-dimensional Artistic Exploration Based on Tibetan Culture:On the Narrative Strategy and Significance of Meizhuo's The Magic Mountain

梅卓的长篇小说《神授·魔岭记》根据史诗叙述的需要采取了宏大叙事策略。这种宏大叙事的崇高美不只是体现在仪式的叙述上,而且贯穿于整个小说的叙述中。小说中的多重神话叙事特别引人注目,它不只是展现了作家丰富奇特的想象力,而且体现了作家叙事技艺的高超,从而为小说增添了叙事活力,体现了藏文化的丰富多彩,强化了小说的玄幻性和神秘性。此外,这部小说兼具着童话与成人文学的二重叙述,即,小说的叙事兼具儿童文学和成人文学的双重特性。可以说,梅卓立足于藏文化为代表的中华民族文化基础上的叙事探索,不仅为宏大叙事正名,突出其崇高与庄重的美学特征,而且还在神话叙事上取得了新的突破,为新世纪的中国文学叙事注入了新的质素,也给将来小说家们的叙事探索提供了借鉴。

As a novel of epic narration,Mei Zhuo's work The Magic Mountain takes a strategy of grand narrative which not only represents sublime beauty in describing the religion ceremony but also in the narrative of the whole novel.The multiple mythological narration in the novel is particularly noticeable which not only shows the writer's rich and peculiar vision,but also reflects the writer's superb narrative skills.This is a fantastic and mysterious novel with active narrative,varied Tibetan culture.In addition,there is a dual characteristic both of children's literature and adult literature in this novel.It can be said that MeiZhuo's narrative exploration based on the Chinese national culture represented by Tibetan culture not only justified the grand narrative and highlighted its lofty and solemn aesthetic features,but also made a new breakthrough in the myth narrative.It injects new factors into the narration of Chinese literature in the new century,and provides references for novelists'further narrative exploration.