从《第一次的离别》看新疆题材电影的美学创新

Views on the Aesthetic Innovation of Xinjiang Movies from“A First Farewell”

《第一次的离别》是21世纪以来少数走入大众视野的新疆题材电影之一。从新疆电影谱系来看,该片呈现出鲜明的美学新变:首先,电影立足儿童本位,呈现出强烈的主体性;其次,电影抛弃了强调戏剧冲突的经典叙事,转向朴素的日常生活叙述;最后,新疆独特的地域风景被极具特色的视听语言诗意化,进而呈现出现代电影气质。上述三方面的新变,不仅催生新疆儿童题材电影类型化的成熟,同时也促成其成为地域特色鲜明、主题意涵丰富、视听语言现代化的对话性文本。

“A First Farewell”is one of the few Xinjiang-style movies that have come into the public eye since the new century.Judging from the sequence of Xinjiang-themed movies,the film presents a distinctive aesthetic change:first,the film tries to get rid of the functional positioning of children,based on the child-based position,and presents a strong subjectivity;secondly,the film abandons the classic narrative and shifts to the deconstruction of the grand theme the narrative of daily life in Xinjiang;finally,Xinjiang’s unique regional landscape has turned from a general regional landscape to a poetic landscape with the characteristics of modern movies.