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试析彝族毕摩经籍绘画艺术 被引量:2

Analyzing the Painting Art on Bi Mo’s Scriptures of Yi People
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摘要 彝族毕摩经籍绘画艺术是古彝文的雏形,是彝文书法的缘起,也是中华传统绘画艺术的重要组成部分。就其绘画颜料而言,反映和表现了彝族先民的五色文化内涵;就其绘画种类和内容而言,包括天地神灵、山川河流、飞禽走兽、花草树木、民居建筑、宗教祭祀、歌舞娱乐及君臣师民、英雄勇士、能工巧匠等,这些绘画作品具有个性与共性、现实性与广泛性、写实性与艺术性、承袭性与传承性等多种特点以及多学科文化价值。 Painting art of Bi Mo’s scriptures is the beginning form of ancient Yi characters, and the origin of Yi calligraphy, it belongs to important part of traditional Chinese painting art. The color often use reflects the five-color cultural philosophy thought of Yi ancestors;The varieties include heaven and earth gods, mountains and rivers, animals and birds, flowers and trees, buildings, religious sacrifices, songs and dances, kings and civilians, heroes and warriors, craftsmen and so on. All these works are the unity of individuality and generality, realism and universality, realism and artistry, inheritance and inheritance, etc. In addition,they also have the cultural orientation of multiple discipline integration.
作者 龙倮贵 LONG Luo-gui(Department of Journal Editor,Honghe University,Mengzi,Yunnan 661199,China)
出处 《贵州工程应用技术学院学报》 2022年第1期24-31,共8页 Journal of Guizhou University Of Engineering Science
基金 国家社会科学基金项目“彝文劝世类经籍的当代价值和转化应用研究”,项目编号:19XMZ024。
关键词 彝族毕摩经籍 绘画艺术 源流 内涵 Bimo Scriptures Art of Painting Source and Course Connotation
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