德勒兹电影理论视域下的民族志影像生成——以时空绵延、块茎图式和意义事件为中心

Generation of Ethnography Images from the Perspective of Deleuze’s Film Theory——Centered on ceaseless time and space,Rhizome pattern and senseful event

在自然情景下的民族志影像生成是一种强调民族田野场域中的时空人—物—象—事有机/无机二重性生命样态的特殊影像叙事方式。这种特殊的影像叙事不仅包含了上行显性景观中的物象和下行隐性文脉中微观块茎式图景,共同构成了田野事象景观影像书写与赋意的构素、创序、筑模资源,而且实现了人(身体感官)/影像化(媒介技术)/现实界域(自然社会)的场域共在性摄录与创造,最终生成纳含影像言说—事态、影像言说—心理、影像言说—基质创构关系的影像事件,形成了民族志影像真正的指称意义和民族志影像语言的本体。

Although in the recent years the overall ecological conditions of Wulanchabu city have continued to improve on the basis of massive ecological construction the city’s ecological environment still seems fragile for some historical reasons—subjective and objective ones.Therefore,in order to boost the ecological construction of the City of Wulanchabu,a sustainable development road has to be taken on the premise of respecting its ecological nature—the green and low-carbon road through further improving the city’s related system,changing its people’s old ideas,innovating its new modes of production and adjusting its industrial constructions.