社会主义文艺的人民性塑造——以1949年至1966年的影像作品为例

Shaping the People-Oriented Nature of the Socialist Arts: A Perspective of Socialist Images from 1949 to 1966

中国共产党自成立以来一直重视文艺工作,坚持文艺为人民大众服务,确立以人民大众为核心的文艺创作体系,为社会主义影像作品的创作产生广泛影响奠定了重要基础。在"文艺为工农群众服务"的实践过程中,新中国成立之后的文艺创作塑造了大量普通劳动者的形象,其中,影像作品深切反映了社会主义文艺人民性的根本特征,确立了工农群众主体性地位及主人翁意识,并且赋予妇女个人与家庭层面双重解放的全新内涵。对此,分析这些影像作品中"人民性"的呈现方式并探析其背后的叙述逻辑,强调"人民性"之于社会主义文艺的重要意义,对于当下的文艺创作具有重要启示作用。

Since its establishment,the CPC has always attached great importance to the work of the arts, insisted that they serve the people, and established a literary and artistic creation system with the people at its core, which laid an important foundation for the creation of socialist images and their widespread influence.In the practice of“the arts serving the workers and farmers”, literary and artistic creations after the founding of New China have portrayed a large number of ordinary workers. Among them, image works deeply reflect the fundamental characteristics of the people-oriented nature of the socialist arts, establish the subjectivity and sense of ownership among the workers and farmers, and endow women with new connotations of personal and family liberation. In this regard, it is inspiring for contemporary literary creation to analyse the presentation of“peoplehood”in the image works,explore the narrative logic behind the images, and emphasize the importance of“peoplehood”to the socialist arts.