摘要
白俄罗斯女作家阿列克谢耶维奇在2013年新修订的小说《我是女兵,也是女人》中建构了一种新型俄语反法西斯战争叙事。作家塑造了一批以“新亚马逊女战士”“新美狄亚”和“女性思想家”为代表的新型女性形象,以阿达莫维奇的《我来自烈火熊熊的村庄》为蓝本完善了“声音小说”的形式,并对俄语反法西斯战争文学中的“爱情”和“死亡”两大主题进行了去英雄化书写。由此阿列克谢耶维奇在形象、体裁和主题三个方面实现了对传统俄语反法西斯战争文学的突破。
Belorussian writer Svetlana Alexievich created a new war narrative in the newly revised edition War’s Unwomanly Face. She created a series of new female characters,“new Amazonian”,“new Medea” and “female thinker”,reinvented the form of the “novel of voices”originated from Adamovich’s I’m from the Burned Village,and explored the non-heroic elements of two major themes in war literature: “love” and “death”. Svetlana developed the tradition of Soviet anti-fascist war literature by seeking breakthroughs from the aspects of the character development,genre and themes.
出处
《广东外语外贸大学学报》
2022年第3期108-117,159,160,共12页
Journal of Guangdong University of Foreign Studies