拙朴之美:繁昌窑青白瓷纹饰的构成原理与规律研究

The Beauty of Simpleness:Research on the Principle and Rule of the Patterns of Bluish-white Porcelain in Fanchang Kiln

繁昌窑创烧于五代,是一座专烧青白瓷的窑场,其器物上的纹饰多以窑工在制坯和修坯留下的简单印痕为主,少有以人物、动物、植物、建筑和几何形态等母题纹饰。这些母题纹饰既有写实手法处理,亦有以点、线、面为基本的单元设计元素组织。通过对繁昌窑器物上的母题纹饰的构成形态分析,总结其纹饰的构成原理与形式规律,以此来展现繁昌窑的器物形制与纹饰设计、形式与功能的和谐统一。由此反映出母题纹饰无论采用何等装饰方法,皆是窑工从器物的功用出发,运用相应的设计构成法则,为繁昌窑青白瓷呈现出较强的拙朴之秩序美。

Fanchang kiln was created and burned in the Five Dynasties and dedicated to burning bluish-white porcelain.The decorations on the wares of Fanchang kiln were mainly made of simple moulages during process of blank making and repairing by kilnman,with few motif decorations such as figures,animals,plants,buildings and geometric forms.These motifs were not only dealt with by realistic techniques,but also organized by basic unit design elements such as point,line and surface.Through the analysis of the composition form of motif ornamentation on the wares of Fanchang kiln,the composition principle and form rule of its ornamentation are summarized,so as to show the shape and decorative design,form and function of Fanchang kiln ware were harmonious unity.This reflected that no matter how the motif decoration method was adopted,it was the kilnman who used the corresponding design and composition rules from the function of the utensils to present a strong simple order beauty for the bluish-white porcelain of Fanchang kiln.