上海灶画及其早期艺人文献稽考——兼议灶画文献编撰的人民性

Literature Review on Shanghai Stove Painting and Its Early Artists

近数十年来因非遗文化的推进,灶画作为上海第一批非遗代表性项目,经公共媒介、教育推广及专业书刊等多途径文化传播,其社会认知度有一定提高。作为江南传统民间绘画,灶画指泥水匠在新砌柴灶上绘制的黑白或彩色图案纹样。早在先秦时期,有关灶、祭灶及灶神资料便时见于典籍,如《论语·八佾》王孙贾问孔子:"与其媚于奥,宁媚于灶,何谓也?"

As one of the representative intangible cultural heritage items(the first batch) in Shanghai,stove painting has been spread through multiple channels,such as public media,education promotion and professional books.As a result,social awareness of stove painting has been improved to some extent.As a type of traditional folk painting in the south of the Yangtze River,stove painting refers to the black and white patterns or colorful patterns drawn by the plasterers on the new wood stoves.