“姿”与“兴”——花鸟玉雕新释

“Appearance” and “Highlight”——New Interpretation of Jade Carvings with Pattern of Flowers and Birds

一、古典精神与现代理路改革开放以后的工艺美术,许多先声夺人、效仿西法,承袭西方现代造型理论,为传统雕刻带来范式转变的实践。然而这套拿来主义低估了传统体裁盘根错节的脉络,以及传统美学中蕴藏的观物应世之理路,未能照映玉石其自身质料属性或文化意涵的方方面面。唯新是尚的时代,传统工艺在主流审美中被逐渐边缘,有人以为只要传统艺术借鉴现代理路。

To carve jade wares to describe the natural world,it is not only necessary to echo with the growth law of all things on the Earth and conform to the structural approach of jade itself,but also radiate some charms of leap and surpass the conventional way of the Nature.