摘要
民国时期是中国书法史上非常重要的时期,随着现代报纸、期刊和印刷的繁盛,产生了大量书法学习、传播、研究的文章和著作。在文言与白话、科学与玄学、实用与艺术、传统与现代争鸣的语境下,这些书法文献显示出与古代迥然不同的面貌。本文从书法演变史、书法理论、书法家、书法学习、书法与政治等几个主题,梳理这些文献并予以简要点评,管窥这一时期书法文献的概貌。
The period of the Republic of China was critical in the history of Chinese calligraphy.With the prosperity of modern newspapers,periodicals,and printing,a large number of articles and works on calligraphy was learning,dissemination,and researching it..Considering the confrontation between classical Chinese and vernacular,science and metaphysics,practicality and art,tradition and modernity,these calligraphy documents show a completely different appearance from that of ancient times.This article sorts out these documents from several topics(e.g.,calligraphy evolution history,calligraphy theory,calligraphers,calligraphy learning,calligraphy,and politics),briefly comments on these documents,and provides a general overview of calligraphy literature in this period.
作者
胡笳
傅荣贤
HU Jia;FU Rong-xian(College of Liberal Arts,Yangzhou University,Yangzhou Jiangsu 225000)
出处
《艺术百家》
CSSCI
北大核心
2022年第1期74-79,共6页
Hundred Schools In Arts
关键词
民国书法文献
中国书法史
书法理论
书家评论
Calligraphy literature of the Republic of China
History of Chinese Calligraphy
Calligraphy Theory
Calligrapher Review