林风眠“情感论”的内涵与实践

Connotation and Practice of LIN Fengmian’s "Emotion Theory"

本文依据林风眠的著作及画作,梳理总结了林风眠艺术思想中的“情感论”,即:艺术创作的根本意义必为表达和引导情感体验,一切理性的调和、技法的兼容,都应以实现此核心价值为目标而进行。通过重点分析林风眠的个人经历与实践,以及二十世纪上半叶中国绘画发生巨大变革的历史环境,本文拟揭示林风眠“情感论”的丰富性与独特性,体现出林风眠作为中国艺术教育先驱在艺术理论领域所取得的成就,进而为当代艺术创作及艺术理论发展提供借鉴与启发。

This article is founded on the primary sources of LIN Fengmian’s text and paintings,with the intention to sort out and summarize his"Emotion Theory":the fundamental significance of creating art is to express and guide emotional experiences,thus all rational attitudes and technological integrations must be conducted with the prerequisite of realizing such core value.By analyzing Lin Fengmian’s personal experience and his practice of Emotion Theory,along with the circumstance of Chinese art in the early 20^(th) century,this article attempts to reveal the richness and uniqueness of LIN Fengmian’s Emotion Theory,to recognize LIN’s achievements in art theory as a pioneer of Chinese art educator,and therefore to reflect the contemporary meaning of LIN’s Emotion Theory in the context of today’s Chinese art development.