具身认知视角下展览设计实践初探:以南京博物院“读·万卷——清代内府刻书珍藏”展为例

Discussion on the Exhibition Design from the Perspective of Embodied Cognition:Taking the Exhibition Read Thousands of Books as an Example

博物馆起源于人对物的收藏与欣赏,随着博物馆理念的不断更迭,大众的观展方式不再以视觉为主导,而出现了向具身化、多感知方向发展的趋势。本文以南京博物院“读·万卷——清代内府刻书珍藏”展为例,从具身认知的视角探索博物馆展览设计的潜在思路,通过空间、视觉、触觉、嗅觉四个角度,聚焦于展览设计的思考。旨在为增强观者体验提供更多可能性,为传统文化的传播尝试新的形式。

Museum originates from people’s collection and appreciation of objects.As the update of museum aim concept,the public’s way of visiting exhibition is no longer visual-oriented,but switch towards embodiment and multisensory direction.Taking the Nanjing Museum’s temporary exhibition Read Thousands of Books:The Imperial Block Print Books of Qing Dynasty as an example,this paper explores the potential ideas of exhibition design from the perspective of embodied cognition,focus on the exhibition design through the four aspects:space,vision,touch and smell.The aim is to provide more possibilities for enhancing the visitors’ experience,to try new forms for the dissemination of traditional culture.