摘要
奥罗拉·李对诗歌诗人看法的改变展现了对女性身份的接受过程,这体现了一个女诗人的成长过程。这一过程大致分为三个阶段:第一阶段,奥罗拉·李认为诗歌是男性的艺术,女性身份成为实现诗歌理想的一大障碍,因而否认自己的女性身份;第二阶段,提出诗人应具有双重视角和双重生活,个人生活是成为诗人的必要条件,承认自己女性诗人的身份,但仍拒绝传统的女性生活;第三阶段,奥罗拉通过双重世界这一信条得出诗人具有双重性别,诗歌实际上是偏男性化而非男性专属的艺术,诗人兼有女性化和男性化的特点。奥罗拉·李自始至终坚称诗歌即生活,这是诗歌观点改变的基础。通过这首诗,伊丽莎白·巴莱特·布朗宁从理论的角度论证了女性成为诗人的可行性和合理性,从而在诗歌传统中为女诗人谋得一席之地。
Focusing on female experience and its effects on poetic aspiration,this poem records Aurora’s struggle with womanhood. Her understanding of this manifests one major aspect of her poetic growth,which goes roughly through three stages. At first,she describes the poet as a male,and correspondingly disguises herself as a male,and rejects her conventional life. In the second stage,by stressing the need of two-fold life,she accepts her female gender. She attains her poetic success yet lives a pathetic life. She concludes that the poet has a two-fold gender and finally reclaims her conventional life by speaking out her love for Romney. It is remarkable that throughout the poem Aurora equals poetry and art with life,and this statement serves as a firm foundation for her changing ideas.
出处
《广东外语外贸大学学报》
2022年第2期145-156,160,共13页
Journal of Guangdong University of Foreign Studies
