期刊文献+

现代性语境下侗族鼓楼的“失真”及其保护

The“Distortion”and Protection of Drum Tower of Dong Ethnic Minority in the Context of Modernity
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摘要 侗族鼓楼作为侗族形象的标志与化身,是侗族直观的、物象的文化,是维系侗族人民的情感因子,也是侗族共同记忆的源泉,更是沟通侗族历史与现实的桥梁。侗族鼓楼在传承历史文化、凸显民族认同和体现民族和谐方面具有重要意义。在现代性语境下,部分侗族鼓楼建筑失去了原有的空间属位,被越来越多的钢筋混凝土式的现代民居包围的现象日趋严重,其失序的空间序列与建筑美学的整体性严重丧失,这不得不引起我们的警醒与思考。 As the symbol and avatar of the image of the Dong nationality,the drum tower is an intuitive culture of the Dong nationality,an emotional factor that maintains the Dong people,and the source of the common memory of the Dong nationality.It is also a bridge to connect the past and the present in the history of the Dong nationality.The drum tower is of great significance in inheriting Dong’s history and culture,highlighting national identity and embodying national harmony.In the context of moderni‐ty,some drum towers have lost their original spatial affiliation,and the phenomenon of being surround‐ed by more and more modern reinforced concrete dwellings is becoming more and more serious.The se‐riousness of the disordered spatial sequence and the integrity of architectural aesthetics has to arouse our vigilance and thinking.
作者 杨炜竹 YANG Wei‐zhu(College of Chinese Language and Literature,Wuhan University,Wuhan,Hubei,430072,China)
机构地区 武汉大学文学院
出处 《凯里学院学报》 2022年第1期34-39,共6页 Journal of Kaili University
关键词 侗族鼓楼 民族认同 民族和谐 drum tower of Dong ethnic identity ethnic harmony
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