摘要
复仇是鲁迅作品的重要主题之一,但“复仇”并非《复仇(其二)》中的先行观念,而是在对前文本进行改写后,创造性生成的结果。在原型故事中“爱与牺牲”的主题同鲁迅作品中的“复仇”主题相悖反的背后,隐藏着鲁迅对具有摩罗精神的拜伦式文学资源与文学传统的批判继承;鲁迅通过形式上的诗化与内容上的主体性投射,达到了对前文本的浪漫新编;文本中复仇主题的生成有着内在逻辑,是一个由外部世界向内部自我进行回收的动态过程。无论了解鲁迅的个人创作风格,还是剖析时代的转换,《复仇(其二)》都提供了重要的考察角度与路径。
Revenge is one of the important themes in LU Xun’s works. Revenge is not a concept that debuts in RevengeⅡ, but the result of creative work after rewriting the previous text. Behind the contradiction between the theme of love and sacrifice and LU Xun’s theme of revenge in the archetypal story is LU Xun’s critical inheritance of Byronic literature resources and tradition. LU Xun achieved a romantic new edition of the former text through poetic form and subjective projection of content.The generation of revenge theme in the text has internal logic, which is the completion of self recovery from the outside world to the inside. Revenge Ⅱ not only provides an important perspective and path for LU Xun’s personal creation, but also for the transformation of the times.
作者
孙士棋
SUN Shiqi(Nanjing Normal University,Nanjing 210097,China)
出处
《金华职业技术学院学报》
2022年第2期75-81,共7页
Journal of Jinhua Polytechnic