浮生背后的苍凉世相——以格非《春尽江南》中庞家玉的反现代书写为例

The Desolate World behind the Floating Life——Take the anti-modern writing highlighted by Pang Jiayu in GE Fei’s Spring Ends Jiangnan as an Example

格非“江南三部曲”的最后一部《春尽江南》,向我们描绘了现代化社会的景象。透过女主人公庞家玉的视角,读者看到的并不是一味欣欣向荣、蓬勃发展的社会,在光鲜亮丽的生活背后,还有金钱至上的功利主义,教育体系和法制程序的繁琐无用,以及与物质文明高速发展相对的人类精神世界的极度贫乏与脆弱等。通过从外到内地分析庞家玉,我们可以一窥格非在《春尽江南》中蕴含的反现代思想,并为当今社会对于现代化进程的反思以及中国当代文学中的反现代书写研究提供借鉴与依据。

The last part of GE Fei’s Jiangnan Trilogy Spring Ends in Jiangnan depicts to us the scene of modern society. Through the perspective of the heroine Pang Jiayu, the reader does not see a thriving society. Behind the bright and beautiful life, there are also the negative impacts of the utilitarianism of the supremacy of money, the cumbersome and useless education system and legal procedures, and the extreme poverty and fragility of the human spiritual world, which is opposed to the rapid development of material civilization. Through the analysis of PANG Jiayu from the outside to the inside, we can get a glimpse of the anti-modern ideas contained in GE Fei’s Spring Ends in Jiangnan,and provide reference and basis for the reflection in the process of modernization in today’s society and the study of anti-modern writing in contemporary Chinese literature.